This first Drawn & Quaterly (lavish, beautiful hardcover) compilation of Yoshihiro Tatsumi's work, edited by Adrian Tomine, consists of 16 short stories, originally published in 1969. Most of them are very short, just 8 pages long, and appeared in a magazine called 'Gekiga-Young'. Two longer stories at the end of the volume are more in line with what we will find in the two later books of stories from 1970 ('Abandon the Old in Tokyo') and 1971-1972 ('Goodbye').An alternative title for this book could be 'The worst jobs in the world'. This is a list of occupations of the protagonists of these stories (all men): * Factory worker * Porn movies projectionist (when porn was yet illegal) * Garbage incinerator operator * Massage parlor ad-man (i mean, the guy walking the street with a placard saying 'Massage Parlor / Open 10 AM - 5 PM') * University lab intern / sperm donor * Pimp * Push man (one who pushes passengers into crowded rush-hour subway trains) * Sewer maintenance worker * Handicapped & unemployed peeping tom * Contract killer * Auto mechanic * Office clerk * Disinfector (one that cleans & disinfects phones) * Factory worker * Seal authentificator at an insurance company * ... and we don't know the job of the man in the last story, 'My Hitler', if he has one.Also, for the women, we get quite a few bar hostesses.As you can see, Tatsumi's work depicts the underbelly of the affluent urban Japanese society of the economic boom of the 60s, dealing with themes of existential alienation and sexual frustration. His focus is always humanist, he's not a Marxist toting party line slogans about the woes of the proletariat. He is direct and physical, yet elliptical and poetic at the same time. I am heavily reminded of Shohei Imamura's movies of the same period, like Criterion's 'The Pornographers' and the box-set 'Pigs, Pimps, & Prostitutes'.Now the bad news. Reading this book in one sitting can be a rather monotone affair. The stories, while good when taken on their own, tend to be very much alike when taken all together. I don't know to what extent this is Tatsumi's fault (being rather one-noted in the year 1969, certainly the 8-page limit didn't help either) or Adrian Tomine's fault (in not choosing two or three stories that diverged from the common pattern.) Certainly the stories in later volumes are more varied in setting, structure and subject matter, as well as having some women protagonists, too. We must also remember that the natural habitat for this stuff is a bi-weekly manga magazine, not a "graphic novel".Another qualm is the "Westernized" left-to-right format, that plays havoc with the original page layout. Hey, publishers, I've been reading manga in the original Japanese format for years now, and my head have not exploded yet, it's a myth!Despite these shortcoming this is a must read for all Gekiga aficionados, or adult (as in grown-up) comics readers in general. Or, even more in general, for readers of good literature.I bought this sometime between 2008 and 2010 and read it then, I've come back to it every now and then to reread and it has been one of the most personally impactful pieces of media that I have consumed in my life.I believe I read this at the right time in my life when I most impressionable and I don't want to oversell it. But this book is special and when I think about it it still leaves a very distinct and mystifying impression on me.These dozen-plus pieces really introduced me to a whole class of graphic novels and short stories that I had not been aware of before. They approach the dark desperation of Raymond Chandler's noir, but transplant them into a thoroughly Japanese setting. Abortion, prostitution, murder, madness, and a bit of nudity - these stories aren't for kids. They remind (or teach) the reader that Japan has a tradition of graphic fiction for grownups that was mature and vivid in 1969, when these stories were written, but which goes back long before that. Comparable stories in Western graphic fiction didn't become widespread until decades later.Despite all the good in this collection, a few things didn't work for me. I read graphic fiction largely for artwork. Tatsumi's work rarely departs from manga conventions, something I never learned to enjoy. And, for all their drama, plots seem weak and indecisive when I compare them to their nearest Western relatives. Maybe my inner ear just isn't trained to listen to this story-telling tradition.I found this interesting, not least for its historical connection to more recent Western graphic novels, but not enough to make me want more by this clearly talented creator.-- wiredweirdThis anthology is great. It's incredibly dark, but also thought provoking. It makes you enter the minds of incredibly unsavory people, which is why this book is so special. I highly recommend it. I will be buying the other Tatsumi anthologies.After reading his autobiography I thought I'd try his work. It is easy to see why the man is do revered. Fascinatingly he is not influenced by the genre he created, instead his influence came from watching the working class men in the inner city around him as well as the seedy crime stories from the newspaper. It makes his work an absolute contrast to the innocence of the man which makes the stories more absorbing. The stories are like snapshots of lives that tell large stories and are absolute geniusYoshihiro Tatsumi's "The Push Man" is a collection of 8 page stories detailing the lives of young people in working class areas of a nameless city. As usual with Tatsumi's work the stories are highly imaginative, well drawn, and utterly compelling to read. Once you pick up the book you won't put it down until you've finished. Then you'll go back and re-read some of the more haunting stories.The themes are of betrayal, isolation, revenge, sacrifice, and loneliness. It isn't the most cheerful of books! That said, a lot of the stories will stay with you. "Piranha" follows a factory worker deliberately having his arm chopped off for the insurance money, giving the money to his cocktail waitress girlfriend, who leaves him after he can't take more of her abuse and grabs her arm, thrusting it into his piranha tank."Bedridden" features a mysterious girl in a bed who is apparently the perfect sex slave. Yet each of her "masters" ends up dead. "The Push Man" follows a train worker/student whose job is to push people onto the trains, literally cramming them in so they'll all fit, until one day he gets swallowed by the crowd himself.There are a lot of 8 page stories in the 200 page book so I won't go into all of them. Unwanted pregnancies, cheating partners, confused and desperate young men, are all explored in the book. There are a couple of longer pieces included as well.The artwork is fantastic, in particular the opening pages to the stories which is usually a page long illustration of a shadowy part of a city. Tatsumi does a brilliant job of capturing urban life in Japan albeit slightly dated with massive TVs and a lack of computers, it's fascinating to see how familiar the stories are and how fresh they read despite being decades old. The freshness of the stories reflects the high quality storyteller and artist that is Tatsumi and I loved this book like all the others the brilliant Drawn & Quarterly have been steadily putting out over the last 5 years. An excellent comic book by an incredible artist.I you thought you'd seen it all from manga, try reading through this. Manga, has a broader range than what has been translated into english. In Japan there is a manga medium that can cater for all target audiences.Tatsumi's work is different from the sci-fi and the fantasy. It has a very dramatic, soap opera feel to it. Each story is a standalone vignette but each links to the other in theme.The stories presented here are bleak and there's little in the way of optimism in each of them.The art isn't very detailed but is appropriate to the story. Its harsh and its rough to match Tatsumi's stories about the seedy side of working class life.I recommend this to anyone jaded by the sometimes samey-look, samey-story world of manga.Very boring and perverted, not in an artistic way either, Not a fan of his work, if you are reading this and are interested in reading good Alternative Manga, I recommend Taiyo Matsumoto, ( Tekkonkinkreet, Sunny, Ping Pong ) or Yoshiharu Tsuge ( The man without Talent ).Yoshihiro Tatsumi gives us a classic contemporary view over japanese comics.For fans of more classic-loking comics - buy it.For fans of new stuff - do da same that fans of more classic-loking comics do.