Built around De Bruyne's omnipresent piano and synth themes, the four lengthy tracks on HCTCM! float anywhere between heavy funk and psychedelic jazz rock, with some strong fusion interactions. Flavoured by its distinctive double trumpet lines, De Souter's exceptional bass playing and Patricia Maessens ethereal vocals, it only takes one close listen to sense this album is something exceptional. We're witnessing an entire band of musicians performing at the top of their game. Psychedelic, vigorous and at times quite experimental, Koen De Bruyne's only real album to have seen the daylight is a rare Belgian gem, one that stands the test of time and is waiting to be rediscovered by new generations of listeners.