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Other Man's Blues - Vintage Inspired Men's Casual Shirt for Relaxed Style | Perfect for Everyday Wear, Music Festivals & Casual Outings
$10.22
$18.59
Safe 45%
Other Man's Blues - Vintage Inspired Men's Casual Shirt for Relaxed Style | Perfect for Everyday Wear, Music Festivals & Casual Outings
Other Man's Blues - Vintage Inspired Men's Casual Shirt for Relaxed Style | Perfect for Everyday Wear, Music Festivals & Casual Outings
Other Man's Blues - Vintage Inspired Men's Casual Shirt for Relaxed Style | Perfect for Everyday Wear, Music Festivals & Casual Outings
$10.22
$18.59
45% Off
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Estimated Delivery: 10-15 days international
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SKU: 56434513
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Description
2016 release. Other Man's Blues was written and recorded while songwriter Tim Cohen split his time between two lives and two worlds, a horse ranch with his newborn daughter, and on tour or at Phil Manley's Lucky Cat Studios in San Francisco. A book of songs Cohen had written while bouncing to and fro sufficed in lieu of rehearsal time with the 13 other musicians who appear on the tracks: James Kim and James Barone (Beach House) on drums; Alicia Van Heuvel (Aislers Set) and Paul Garcia on bass; Joel Robinow (Once and Future Band / Danny James) on keys; Emmett Kelly (The Cairo Gang / The Muggers) on guitar; and omnipresent vocal harmonies from Alicia, Noelle Cahill and Anna Hillburg. The album is a loose, largely improvised affair, with many guest appearances and stop-ins. Allegedly tequila was centrally involved. It's the principle that gave this project a name five years ago. Especially in this case, the players on the album define what shapes these songs take. A ghostly choir of female voices opens the album like a séance, with the spirit they conjure flitting about the ensuing ten tracks, from the baroque pop of "Forest of Kates" to the icy post-punk of "I Held the Ring." There's the air-tight R&B groove of "Startling Chimes," the krauty "Purest Thing," a jammy side-to-side trot that moves "First Thought" along, taking a detour into country before culminating in a glorious Grateful Dead-indebted coda. Throughout, it's Cohen's lyrics that are pushed to the front of the mix-collectively fleshed out, from his composition book.
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